From Fredericktown, Mo., The Village Singers were once known as “The Gospel Tones” after Harold and Kathy Goad formed the gospel group in 1972. In 1985, they changed their name. Influenced by the gospel style of the Chuck Wagon Gang from Texas, their sound is unadulterated and sweet. As certain components of country music change, there are many others that have steadfastly remained the same. The Village Singers recreate a nostalgic and unique style of country gospel music of the fifties, pure Southern rural singing with respectful lead vocals and beautiful harmony.
   At one time, Harold (banjo, mandolin, lead guitar) performed regularly at Silver Dollar City in Branson, Mo. His wife, Kathie, plays mandolin, but she only sings soprano and harmonies on this project. Their son, Warren, plays rhythm guitar and sings lead and bass vocals. Shirley Vaughan Lichtenberg, from Springdale, Ark., was formerly with a group called Parker Mountain Bluegrass. While I know that she can play bass, Shirley only sings lead and harmonies on this album. Producer Sonny Osborne chose to add several guest instrumentalists – Shad Cobb (fiddle), Charlie Cushman (rhythm guitar), Glen Dunan (fiddle), Bobby Osborne (rhythm mandolin), and Terry Smith (bass). The aesthetic result is 16 favorite gospel songs that keep the focus on their jubilant and elegant messages. With unquestionable aplomb and poise, The Village Singers present songs that have always provided comfort and strength to people. They treat Jesus as a friend, bring Him close, and make Him a part of our lives. You could say that The Lord and The Village Singers are singing these songs together for our enjoyment and guidance. Their truthful gospel music represents the reverent kind that has been made on front porches for generations.

Reviewed By - Joe Ross, Roseburg, Oregon
Submitted Music Industry Reviewer