Life can be interesting at times, as I have been looking for a CD copy of Jimi’s “Live at Monterey” for quite some time now, the silver lining in all of this is that not only is this performance available digitally, it also contains six additional tracks that were not offered on the analog vinyl version (which on one side had; four tracks by the Jimi Hendrix Experience, and on the flipside was the incredible Otis Redding’s Monterey performance.  This LP (if you can find a reasonably priced copy,) was originally issued on the Reprise label (a division of Warner Bros., and was titled, “Otis Redding-The Jimi Hendrix Experience, Historic Performances recorded at the Monterey International Pop Festival.” 

Hendrix's gig at the 1967 Monterey Pop Festival (hard to believe that this is the fortieth anniversary) was the Jimi Hendrix Experience’s inaugural landing in the USA, with Mitch Mitchell, and Noel Redding.  It always amazed me how much colorful music (no flashback pun intended,) that this power trio delivered, and from my vague recollections from the sixties, I have always felt that this performance was the most accessible Jimi I had ever heard, not that they were that tame, just more roots based, and definitely less acidic.  Thus it was very nostalgic for me to re-hear Jimi’s excellent version of Dylan’s “Like a Rolling Stone,” and his outrageous take of Chip Taylor’s “Wild Thing.” The standout performances from the previously un-released tracks include; Howlin’ Wolf’s “Killing Floor,” the multi credited “Hey Joe,” plus the Hendrix often covered classics: “Foxey Lady,” “The Wind Cries Mary,” and “Purple Haze.”

One has to wonder if the Otis Redding Live at Monterey disk will make its appearance any time soon; are the good folks at Rhino or the resurrected Stax/Concord label listening?  But beggars can’t be choosey, as I am thrilled to have Hendrix’ wonderfully re-mastered Monterey performance on CD, as the sound is dynamite, plus- there will be a DVD version as well, stay tuned!

  The Pawnshop Roses first album, "Let It Roll," has been promised to be one of the best debut albums in quite some time. Well, it has arrived and, as we were promised, it certainly is one awesome debut album. As the winners of theYouTube Cingular Underground contest for "Best Live Video," they were found by Earvolution Records, and put into the studio immediately. With help from many others, including artist Tom Gillam, and pianist John Savannah, "Let It Roll" is a spectacular, energetic, high-effort album that almost anyone is sure to enjoy. We certainly did.

Quentin Foster - RMR Reviewer

  After scoring big with his album "Skimming," Mike Errico returns with "All In," a delight to our ears. Errico has continued to surprise us each time a new release of his comes out, and this is no exception. His songwriting capabilties are propelled beyond what we ever thought couuld be accomplished in his new album, and it makes for a more enjoyable listening experience that most everyone can relate to. We loved this new release from Mike Errico, and if you give it a try, we know it will grow on you too.

Quentin Foster - RMR Reviewer

   Papa Grows Funk bring to life the New Orleans' style they were previously known for, they really push themselves to the limit with "Mr. Patterson's Hat." Reflecting on post hurricane Katrina in New Orleans', the band really embodies the different characters that frequented the streets of New Orleans' before the storm, and the ones who didn't return afterwards. The spirit of New Orleans' will always live on through the music of Papa Grows Funk, no matter what happens past, present, or future.

Quentin Foster - RMR Reviewer

   After staring death in the face, and telling it that it came to soon, Tom Gillam finishes his fourth album. Halfway through the production of "Never Look Back," Gillam suffered multiple heart attacks. After recovering, Gillam immediatly continued production on this album, making it all the better now that he recieved new life, making it all the better. Trying to create deeper lyrics, but still keeping the entertaining sound which has been his past focus, was the main thing Gillam was striving for in this album, making it one album everyone should own,

Quentin Foster - RMR Reviewer

   In her debut album, "Breathe In," twenty year old artist Brittney Elizabeth"s voice really shines in each song. With help from Rob Seals (producer, songwriter, mixer), this album is sure to take many audiences by surprise. Through the CD, Brittney shows remnants of a broken heart and love lost as she sings her way through some of the most touching tracks we have heard in some time. Great album for any collection, one that we will continue listning to for some time to come.

Quentin Foster - RMR Reviewer

   Kaz Murphy, a well noted singer/songwriter, shows us once again that he has what it takes to be an accplomplished artist. In his newest realease, "Home for Misfits," Murphy shows us his ability as a lyricist has kept skyrocketing. Behind his songs are passion, practice, and devotion to creating some of the best music he possibly can, and it really shows. As we listened to this album, we could tell it will be many people's favorite for a long time to come.

Quentin Foster - RMR Reviewer

   The first time we listened to this album from Augie March, we were actually not that impressed. Over the next couple of days though, we started to listen to it a lot more. We then realized this was a great album, it just has to grow on some people. The song "One Crowded Hour" is hands down our favorite. From the first song, the album didn't surprise us much until about halfway through where it really gets intense. "There Is No Such Place" really surprised us with the meaning that was put behind it. This album is a great one, and perhaps if you think it isn't for you, give it another chance.

Quentin Foster - RMR Reviewer

   After their last album release, some thought it was over for the Manic Street Preachers. After the release of "Send Away The Tigers," all the doubts were blown away. This album has everything: amazing music, moving lyrics, and fantastic vocals. The thought that was put into the creation of these songs is utterly incredible. Your Love Alone Is Not Enough seems to be a favorite among listeners of this CD, and it was definitely our favorite as well. If you are lloking for an album with rich, melodic songs, and at the same time something with a rock and roll spice, "Send Away The Tigers" is clearly the way to go.

Quentin Foster - RMR Reviewer

   Certainly when you first lay eyes on the album and see "The King of Nerd-A-Billy," some question of the quality of this Cd comes up. Don't judge a book by its cover! People always say that, but it is very true for this record. This album harnesses the rock style of the fifties, yet has a unique sound all to itself. The lyrics are hilariously clever, and the electric guitar riffs, such as in the Flight Of The Beverly Bumbillies, really suprised us. Whether Crazy Joe and his Mad River Outlaws are playing a smooth, rythmic piece, or just a blazing guitar solo, "The King of Nerd-A-Billy" left us astonished.

Quentin Foster - RMR Staff Reviewer

   Buck 69, a band out of Toledo, Ohio, really surprised us with their first album, “When She Whispers Your Name.” The fast paced, upbeat tempo immediately kicks off the CD, never yielding until you finish the last song. The twin lead guitars flourish the feel of the Blues/Roots Rock genre, influenced by the diverse age range of the members of the group. The biggest thing that struck us though after listening to the album was how seamlessly the vocals and instruments blended to create a rare harmony.

Quentin Foster - RMR Reviewer

   The Turnip Greens are four very talented artists from Denmark and while influenced by some of the greats from the states, they give you their own unique style of roots music that is sure to intrigue and delight you. Their CD “Carry Me Down The Aisle” contains 11 very original, very good songs that showcase these guys’s ample talent as singers, songwriters and musicians.

   Lead vocalist Henrick B. Bruhn has a strong, rich voice and he gets very good back up support from his partners, Pete Skjerning, Sune Nielsen and Mads Mazantic. The four gentlemen are also accomplished musicians. They create some really sweet sounds and come across with some fine, piercing, high-energy instrumentals.

   Peter Skjerning, the primary songwriter is very creative and imaginative. Pay close attention to the lyrics and you will find them to be thoughtful, thought-provoking and sometimes dark. In some instances, they make insightful statements and poke fun simultaneously, pulling no punches.

Herb Barbee - RMR Staff Reviewer

   Steve Power’s latest CD “The Journey” is a dynamic, highly entertaining piece of art. This CD demonstrates Power’s ample talent as a singer and songwriter and his immense versatility.
   There are 13 tunes on this CD, 12 of which are Power originals. Some of these tunes will have you clinging to every word of a captivating tale. Some of the tunes will have you dancing, hopping or swaying. And some of the tunes will have you doing all of the above. It is all great listening, whether it is a fast-paced or a slower-paced piece. Power does it all to perfection.
   Power has robust, yet soothing voices that possess an impressive range and he runs through that range with skill and apparent ease. That voice coupled with some imaginative, sometimes somewhat earthy lyrics; help create vivid images that last long after the song is over.
   Not only is Power creative in his songwriting/storytelling, he is also quite the innovator in his remakes. Case in point is the last track on the CD. He marries his creativity with a dash of daring and cranks out a simply awesome, kind of bluegrass, rendition of “House of the Rising Sun.” - Very unusual, very gutsy and very good.
   Oh, and guys, if you have that special someone in your life, “they don’t Know About You” will create an extra- special sensation. Really great work.

Herb Barbee - RMR Staff Reviewer

   Singer / songwriter Matt Whipkey is an on-going saga of sexuality, insecurity, swagger and, with the release of his latest album ‘Don’t Be Late,’ future possibilities. With this release Whipkey and band join The Jazzwholes and The Kris Lager Band in releasing an excellent rock album that deserve to sell across generations offering relief to quality starved Baby Boomers and college-age fans.

   To know Whipkey is to see an artist: one moment he’s a strutting like a cock in the barnyard and the next he’s cowered in the corner avoiding eye contact. Over the span of four albums Whipkey’s songwriting has matured into a Ryan Adams fronting Tom Petty’s Heartbreakers. More Springsteen than Dylan, Whipkey’s songs are laden with pop-hooks, lyrical images and melody lines.

   Contemporary fashion calls for ‘songwriters’ to be oblique in their atonal droning, yet Whipkey packs his songs with crafted images that embody war references and unrequited love. Without sounding all Striesand about it, Don’t Be Late is a poignant album written while an unpopular war holds the headlines.

   Whipkey’s title track, ‘Don’t Be Late (for the Rest of Your Life)’ is near anthem like and echo’s Neil Young’s ‘Sugar Mountain’ theme about coming of age. Packed with an emotional crescendo, Whipkey contrasts his wispy vocals against on-again, off-again amour Sarah Benck’s fully charged backing lines. ‘Don’t Be Late’ is a powerful pop song that easily sweeps the listener into the moment and aches for significance.

   Four songs on this eleven track offering tackle the sensitive issues of a nation at war. In ‘Waiting on World War III’ Whipkey parallels generations of a military family and the wars they participate in. As the next generation is born to the family Whipkey sings, “And they were living well, living hell, living free, waiting on World War III.” Rather than attacking the propriety of the war Whipkey glances off the issue by dealing with the emotions of a nation that is sending their sons and daughters to war.  

   Sounding much like to the opening to Elvis Costello’s ‘Watching the Detectives,’ Whipkey uses a faux-reggae beat on the track, ‘Nothing Left to See’ as a tool to change up texture and tempo of the album ala’ the Clash’s cover of ‘Police and Thieves’ on their singles album. ‘Nothing Left’ indicates Whipkey’s maturing songwriting skills by choosing to break up the tempo of the album and simultaneously allowing the listeners to hear a fresh texture and instrumentation. This pacing keeps the album fresh and interesting. With a heavy organ track the bands simmers through the verses and then shifts gears into a calliope-like pop song. “There nothing left to see, nothing left for me to believe.”

   “The Girl at the bar, with a foreign car, don’t think she would understand, that this Fender guitar, is gonna make me a star, but it ain’t gonna make me a man.” sings Whipkey. Albums with emotional sustenance are few and far between. This is an artful album and kudos for the music scene that nurtured
 -Reviewed by: Rick Galusha

To send your CD to Rick to be reviewed for Roots Music Report mail to:
12005 North 34th Avenue
Omaha, NE 68112

   Every now and then it is good to depart from the mainstream and delve into the eclectic. Doing so carries with it a cathartic aspect that is just plain good for the soul.

   For just that kind of catharsis, you have got to listen to Drunken Prayer’s new self-titled CD. Mainstream it is not, but it is some awesome, entertaining music... The CD is a fascinating display of contrast. It is rocking, it is solemn. It is gritty; it is ethereal. It is in your face; it is in your heart. It is satiating; but will have you craving more.

   The songs contain striking lyrics that sweep over and engulf the listener. Pay close attention to those thoughtful words – some of them are very deep and will challenge you.

   Clear, resonant vocals present those magical words that serve to heighten the listening enjoyment. When it is all over, you will want to “Rock the House”.

Brenda Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Shawn Williamson, Markus Wolfe, Todd Ronning and Rick Fedyk, aka King Karma knocks one out of the park with their self-titled debut CD. This is what rock is supposed to be, but unfortunately has been hard to find.

   The CD contains twelve awesome songs; each one a gem in its own right and a testament to this band’s rock virtuosity. You will probably even find yourself in a quandary as to whether to replay their last song you heard or go to the next. The good news is you cannot go wrong with either choice. They all sizzle.

   These guys are also accomplished musicians. Throughout the CD, the listener is engulfed with explosive, dynamic guitar work that leads to intense, stomping beats that dare you to sit still. When the guitar riffs come, so do the chills up and down the spine.

   Then come the full-throttle vocals of Williamson. His strong, rich voice comes across larger than life with his high-octane delivery. One gets the unmistakable impression he puts his entire being into his song.

   With all this outstanding musicianship and vocals coming at you, it would be easy to overlook or discount the lyrics. Don’t! The songs are very well-written and contain creative lyrics that complete an already great piece of work.

Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Adam Levy has been around the music scene for a while and he has, rightly so, been recognized as an extremely talented guitarist. In his CD “Loose Rhymes – Live on Ludlow Street,” Adam breaks out and demonstrates his considerable flair for singing and songwriting, as well.
   The lyrics of his original tunes are thoughtful and are sure to grab you and hold your attention. The stories are clearly spun by a passionate person eager to share that passion. With his strong, vocals, Adam soothingly presents his tales and taps your imagination.
   A great CD from a great musical artist who can now include singing and songwriting to his list of ample talents.
 
Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Sometimes you just want to sit back and listen to some fine, rhythmic, soothing music that will carry you away from the everyday hustle and bustle. Marwood’s “One Mile Down the Road” is chock full of great songs that do just that. This is some of the best feel good music around.
   Benji Rogers has done a masterful job of combining a little rock & roll with a little country to create his own brand of great music. Roots fans will love this CD and Rock & Roll fans will, too because Rogers does it all so well.
   You can feel his energy as he croons his tunes with a voice that borders on magical and the listener can not help get caught up in the song. Rogers has a captivating voice that is made to order for this style of music.
   The great stories, creative lyrics and smooth vocal presentation are combined with and enveloped by superior musicianship. All of which makes for a truly entertaining listen.
 
Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Australian Bill Jackson’s first solo CD, “Diggin’ the Roots” is an impressive piece of work. You get some rock and a bit of country all of which adds up to some great listening.
   Jackson has been around the music business for awhile and that maturity is well-reflected in his work. His songwriting talents are extraordinary using creative lyrics to tell his stories. He then delivers those inventive lyrics with a rich, versatile voice. While a little Dylanesque influence is evident, his style is very much his own.
   Some of his melodies are slower ballad that will have you swaying while others are more up-tempo that will have you rocking. Either way, Jackson puts his heart and soul into the music and the listener can sense his connection.
 
Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Listen to the very first track “Long Ride” on Kevin Bilchik’s CD Paper Money and you’re hooked for the rest. Kevin’s songs and vocal style are a simple pleasure that you want to indulge in again and again. Good songs. Good writing. Good style. I really enjoyed listening to this CD and will certainly add it my collection of to enjoy on a regular basis.

Angie Chaney
Vision Music Group Nashville
Email: office@visionmusicgroupnashville.com 

   Kasey Chambers CD is such a refreshing piece of work. Her voice is such a delight on your ears and her song writing is masterful. Chambers CD “Carnival” has all the elements it takes to make a successful singer/songwriter. Chambers has made a successful cross-over from her familiar country roots to a rock/pop artist.

   Chambers songs are full of life and you know that they were inspired by true experiences and situations which pull you into her songs even more. 

   When listening to Chambers singing you get so caught up in the song. Her breath taking voice is so refreshing. Chambers is able to hit different pitches with such ease and that makes for an easy listening experience.

   This CD has the potential for taking Chambers to a higher level in her professional career. Her songs are packed with energy, passion and have definitely put her on the right road for a promising uphill climb.

Brenda Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Joe Hendrick and the Mudflaps’ CD is supremely entertaining. You will find yourself wanting to listen to this album again and again. Hendrick’s is short of neither talent nor opinion and his style of Americana rock and roll will have you hoppin’ while his humorous, sometimes cynical, lyrics will have you chucklin’. It is a great combination and the makings of a great time.

    The thirteen original tracks are a testament to Hendrick’s talent as a songwriter/storyteller and to his wit. The sometimes hard hitting lyrics are acidic and downright funny at the same time. His casual, clear almost conversational voice convey the stories so richly, you will feel Hendrick is next to you.

   Though most of the tracks are inspiried roots rock and Americana, the listener is also treated to some new-wavish sounds. This bit of variety just adds to the enjoyment. Joe and his Mudflaps are truly in sync in this CD and they will have you rocking from start to finish.

Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   T Moody’s CD “Acoustic Groove…Electric Vibe” has something for practically everyone. And that something is very good. He gives you his energetic versions of rock, pop, jazz, country and Americana and he will dazzle, not to mention entertain, you in the process. This multi-talented artist is apparently very much at ease regardless of which style of music he decides to play.

   The stories he tells in his songs are the real life kind (in some cases larger than life) that hit home and tell of first hand experiences. He sings them from the heart and the listener is all the better for it.

   T Moody has a rich voice that expertly punctuates his lyrics increasing their impact. You can do no wrong getting this CD. It is a winner.

Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   “Poetry’s Dead” is a wonderful start to a very enjoyable listening experience. The vocals stand out as does the music and you find yourself wanting to listen to it again and again. This reviewer found herself moving her head along with the beats. “Poetry’s dead somebody said, they say money’s a curse but crazy is worse…but I don’t have to believe it...” You couldn’t picture lyrics and music yourself to match any better than this entry. The verses are so catchy you’ll find yourself singing this to yourself long after you’ve stopped the CD.

   From the 2^nd track “Walk in the Clouds” to the tile track “Window to the Next World” to the last track, “The New Improved Me,” the listener finds themselves equally entranced and looking forward to the next track with enthusiasm. The lyrics and music to all are all equally superb and memorable.

   It’s hard to imagine someone who composed for SouthPark for the last five seasons as Jamie Dunlap has done, could be the co-collaborator with Molly Dunlap on such a great CD. It’s no wonder shy she was 1^st place winner for the John Lennon songwriters contest in the World Music Category. According to their website www.zootsuttimusic.com”their music is an infusion of rootsy rock styles reminiscent of Heart and Led Zeppelin.” A daunting combination to say the least. Kudos to both for a great piece of work.  It will be one to be remembered.

Diana Aguirre Martinez

   They may have been together only 20 years but the Hammers’ CD packs way more than just 20 years of music, particularly blues music in the confines of this little CD. From the very beginning of the first track Rippin & Runnin which is very reminiscent of the old Jerry Lee Lewis impact it definitely has in it. 
    This collection definitely shows signs of all of the  band’s transitional periods from  the blues, rockabilly , jump, some twangs of  R&B, honky tonk and  a heck of a lot of soul. All of this bands history just melts into its own sound. And what a sound it is.
   From the soulful angst of newly adjusted married life in “You’re Right (Married Life) to the heavy distinct beat of “Hot Hand” the band puts you in a place where the blues melts with the reality of life. “In Something Inside of Me (Kirwan)” the soulful ballad bemoaning the loss of a love, the band’s music puts it’s listeners in that deep dark place you must be to get the gist of the blues stories the entire CD tells. You can just place yourself mentally in that perfect blues bar hearing the music live in your head.
   “Since You Messed Up My Mind” gives you just that edge you need to hear, to get your feet tapping a’la John Travolta and Uma Thurman in Pulp fiction type beats. The next track “You Can Do No Wrong” just keeps the beat going and clarifies that with this CD the Hammers can do no wrong either. The entire CD is a must have for the collection of anyone who likes any kind of blues themed music It just puts you right there in that perfect frame of mind for the perfect kind of music that it is.

 

Diana Aguirre Martinez

   Be prepared for some "serious" foot tapping as you listen to The Doo- W ah Riders latest release of their Hillbilly Ranch CD. If the boot-scooting melodies of each song do not make you want to get up, dance, "Deer Beer" alone will make you laugh and remember the first, and probably the last beer you ever had. Reminiscent of that memory and the catchy melody and beat of the homage to a man's best friend, his beer, is enough to make you imagine a huge bar and feel the beats of people boot-scooting' around you while you wallow in your drink.

   The other ditties in this CD make you want to do tap the night away as only good dancing music can. This California band proves it knows how to gets it's audience up and about and engages them in the type of mood everyone line dancer or "Cotton-Eyed Joe” kicker needs to be in to outshine his or her dancing partner.

There is not one song on the CD that does not give you that urge to kick-up your feet. If at worse it gives you, the tools to get your imagination and feet in gear to pretend you are dancing. .

   The beats are precise and enjoyable to listen to and everyone knows at least once in their lives, the experience and people each song alludes to including "Where There's Smoke, There's Eddie." The Doo- W ah Riders know how to make their music stand out here and will have people singing their title track over and over again. Listeners will definitely get what the band gives out. Good music and a great dancing beat.

 

Diana Aguirre Martinez

   Bluegrass fans are in for a real treat and some great entertainment when they listen to Don Rigsby’s newest CD “Hillbilly Heartache”. Those listeners already familiar with Rigsby’s work will not be disappointed as he has remained true to his style. Those listeners discovering Rigsby for the first time will be glad they did.

   While Rigsby himself has released solo albums in the past, this CD is a first for him and his band. But you would never know it. These guys are so in sync; you will swear they have spent their careers together. All uncommonly good musicians, Don and his Midnight Call produce a sound that is pure mountain music. The requisite fiddle and banjo blend perfectly with the bass and guitar and you can not help but move to the music and be moved by the music. The very bluegrass sound is one for the books and Rigsby throws in an added dimension with some heartfelt, intense gospel music.

   Add to all this, Rigsby’s exquisite tenor voice and you have a great CD.

Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Listening to Jake Shimabukuro’s newest CD, “Gently Weeps” is not only and eye-opening, it also is just fun. Normally, if you are familiar with the ukulele at all, when you think of that instrument, you may envision luaus and hula dancers (or maybe Tiny Tim plinking and singing). Scratch those thoughts! This man produces incredible, huge sounds from that small stringed instrument that will simply amaze you. And do not even think about his “genre”.   This CD has it all and he presents the songs masterfully in his own “uke”-nique style.
   The term virtuoso has almost become a platitude when describing artists, but the term accurately describes Shimabukuro. You will be utterly amazed at the rich, vibrant sounds that Jake can put out. He also demonstrates his originality when he plays his version of such well known tunes as Ave Maria and the Star Spangled Banner. You will love his music.

Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   When you listen to the Stone Coyotes newest CD, Drums of Glory, be prepared for a really fun ride. You will be struck by how good roots rock can sound. This family trio, comprised of Barbara Keith, Doug Tibbles and son, John, knows how to engage the listeners with rhythmic beats, first class instrumentation and rich vocals.
   Be advised. This is not your run of the mill family singing group. These three talented people produce a feisty, rambunctious style of rock that first fills your head, and then fills your soul.
   Barbara Keith is a prolific and talented songwriter with a touch of rebel in her. When she teams up with husband Doug and shows the song-writing duties, a synergy emerges and the end product is a remarkable piece of work. When those expertly-penned lyrics are adorned by Keith’s strong vocals, you are treated to some great music and an awesome listening experience.

Brenda Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   Bonnie Raitt and Friends is a beautifully created fusion of styles and artists that is sure to give you many hours of listening (and/or viewing) pleasure. There is a CD version as well as a DVD version of this live performance. Bonnie partners up with Norah Jones, Ben Harper, Alison Krauss and Keb Mo, each of whom adds a tantalizing dimension to this great piece of work.
   Raitt is her usual, inimitable self with her classic, throaty voice and her superb musicianship. This recording is Bonnie at her best. She has some really cool “friends” too. Keb Mo adds his oh-so-smooth Delta blues and outstanding guitar to the mix. His crystal clear vocals mingle brilliantly with Raitt’s one of a kind sound to produce captivating melodies. Another pal of Raitt’s, Norah Jones, uses her sultry voice to bring the listener to the desired mood. Playing the electric piano like she was born to do so and using her soft, very smooth voice, Norah contributes her own touch of elegance to the production. Ben Harper solos and harmonies with Raitt and the deep emotional tunes are both literally and figuratively music to your ears. He has a special gift when it comes to his lap slide guitar as he gets it singing right along with him and Raitt. Alison Krauss, with her angelic soprano voice, provides the made-to-order harmonic sound to coincide with Raitt’s. Alison’s solo renditions are equally spectacular as she flexes that awesome vocal range of hers. Alison also brings her fiddle mastery into play, practically giving the instrument a voice of its own.
   Since it is also available in a DVD version with an additional 5 songs, you can get that “concert” experience complete with surround sound and see these uncommonly gifted artists doing what they apparently love doing. An honest to goodness enjoyable listen!


Brenda Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   In Allison Moorer’s newest CD, Getting Somewhere, you get an exciting blend of this artist’s beautiful melodic voice and her talented songwriting. You will thoroughly enjoy every track.
   Her songs are emotional and gripping. Moorer delivers each song with her own unique “tell it like it is” style that is replete with passion and feeling. She ably uses those remarkable vocals to create vivid images and to captivate the listener.
   All ten of the songs on the CD are original. They weave heart-felt, masterful stories that engage the listener on several levels and will most definitely leave a long lasting, positive impression.

Herb Barbee - RMR Staff Reviewer
paseodelrio2@hotmail.com

   With their newest release, “Flying Under the Radar,” the Kentucky Headhunters are re-introducing some songs from previous albums that may not have gotten the attention they warranted. After you listen to them, you will wonder how/why they were missed. Throughout the CD, the listener is treated to rich vocals, skilled instrumentation and fine songwriting, all of which add up to great music.
   Listening to the smooth, blended sounds, you will be struck by these musicians’ virtuosity. There is some incredible guitar playing embedded in these tracks and the group is equally adapt at playing the slower, soulful tunes or upping it a notch or two to really get you moving. Listen carefully to some of those lyrics and you will quickly discover that these guys can pluck heart-strings as masterfully as they pluck guitar strings.
   Of the 15 tracks on the CD, there are some very cleverly done remakes. Some so well remade you will have difficulty recognizing them. The Kentucky Headhunters demonstrate their keen originality brandishing their own unique style and apparently having a ton of fun in the process. Case in point – Roger Miller’s Chug-A-Lug as a Dance Mix – WOW! This CD is just incredible.

Brenda Barbee - RMR Staff Reviewer

    When talking about his music style, Ted Wulfers has said that he hates being pigeonholed. His latest CD, “Cheap Liquor” is a glowing testament to how strongly he feels about that statement. Among the 8 tracks on the CD, you are generously treated to Wulfers at his artistic best with great original rock and roll, alternative country and Americana tunes. As you listen to Wulfers crank out his songs, you know you are hearing someone who truly enjoys what he is doing. You can just feel it.
   Part of this magic is because Wulfer is supported by a group of outstanding musicians that provide the just-right blend of instrumentation to achieve the desired mood and not overwhelm the song.
   The other part of the magic comes from Wulfer, himself as he is a gifted and clever songwriter.  The songs convey inspired stories that practically fill the emotional continuum. Add to that his strong rich vocals and you have got a 1st class, 1st-rate artist.

Herb Barbee - RMR Staff Reviewer

   After more than a decade of being on the road it was only a matter of time before the sibling band Indigenous melted down.
   With the departure of Wanbdi (drums) and Pte (Bass), this latest album, Chasing the Sun, leaves guitar/ singer/ songwriter Mato Nanji as the sole remaining member of the band (for the time being at least.) On their last three recordings (Indigenous, Fist Full of Dirt, and Long Way Home) the band was moving away from a blues rock foundation towards a Contemporary Rock sound with a heavy thudding bottom and too much eye liner. Consequently the fan base eroded as the band’s sound fractured between Pte’s hard rock vision of the band and Mato’s proclivity to play highly improvisational blues-rock.
   Mato Nanji is back with a very strong album of crisp, layered songs that harken back to their original sound but show a depth and maturing that frustrated fans have been waiting for. Usually a veiled performer the lyrics on this album reflect the stress of the band’s reconfiguration and seem to be a response to comments & actions from former members and associates. From the opening blues-shuffle track, Runaway; Nanji sings, “I’ve been away too long, Way too long...I’m gonna pick myself up, What more can I do?” Throughout the album Nanji subtly leads the listener through a saga of isolation, regret, and then epiphany that “this is what I need to do.” Nanji’s highly improvised guitar licks add color to the song’s without overshadowing them.
   On ‘The Way You Shake’ he flashes his fretboard frenzy in short exciting bursts to as if to say, “Yeah I still got it but it’ll be a slowburn before we get there.” Clearly he is becoming a songwriter that can still strangle a Stratocaster with the best of players.
   There are two covers on the album; Bobby Robinson’s, “Number Nine Train” and Bob Dylan’s, “Born in Time.” Versions of other songs have appeared on previous website-only releases including; “I’ll Be Waiting” from the EP Long Way Home and “Feel Alright Now from the EP Fistful of Dirt. Nanji also co-writes three of the tunes including, “Fool Me Again” with previous producer Jesse Davey, “The Way You Shake” with former drummer / sister Wanbdi Waste Win, and “Leaving” with his wife Leah Nanji.
   The blues is an art form based upon the ability to improvise over a 12 bar, call-call-response, three-chord song structure. If technical brilliance is one end of the guitar player’s spectrum then emotional improvisation is the other end. There are a cornucopia of technically proficient guitar players within the blues idiom however players with a sense of space and texture are fewer in number. On the ninth track, ‘Leaving’ Nanji’s playing has a strong feel of another famed Native American player, Jimi Hendrix.
   Indigenous’ Mato Nanji is quietly becoming a leader among the emotional improvisers within the genre. Using space and allowing the song to come forth, Nanji follows Clapton’s lead of consistent underplaying.
   The listener can picture Nanji sitting on his porch beckoning to a high plains sunset when he sings, “I feel like I’ve been chasing the sun, I want to slow down for just a little while…You’re in my soul, I’ll never let go“ on the track ‘Come on Home.’ Using the depth and power of an acoustic ballad, Come on Home, draws the listener in to the album and helps the other songs unfold into a powerful album with layers and textures and, finally, intensely personal lyrics.
   Upon repeated listens one can hear a sense of relief for Nanji as the politics of juggling a career, sibling relationships, and being the father to a young family fall into place in his refocused career. This is a very strong album that opens quite slowly but leaves an indelible impression that, finally, there is a blues-rock artist stepping up with more than a gun slinger mentality; an artist capable of presenting a body of work that will stand up to repeated listening. ‘Chasing the Sun’ is Nanji’s most rounded body of songs and a signpost that his skill as a tasty underplayer is by design.
                          -Reviewed by: Rick Galusha

To send your CD to Rick to be reviewed for Roots Music Report mail to:
12005 North 34th Avenue
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