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| True Country CD Reviews |
| Click on the CD image to visit the artist website. |
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| Kellie Coffey |
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| The Salty Dogs |
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| The Derailers |
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| Trent
Summar & The New Row Mob |
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CD: Horseshoes
& Hand Grenades |
| Label: Palo
Duro Records |
Rating:      |
Reviewed by Joe Ross
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If you
know what's best for you on a Saturday night, then you'll pick up a copy
of "Horseshoes & Hand Grenades," for a driving set of Summar’s rockin'
country music. Actually, he calls it "farm rock," a convergence of Chuck
Berry and George Jones. Full of grit, Trent incorporates strong rhythmic
intensity as the foundation for his striking stories and just plain ol'
fun rowdiness. The elements all lend perfectly to our listening
amusement. They hit the ground with a steady gallop from the first song
to the last, even with the brief eccentric punk/grunge moments in "He
Stopped Loving Her Today" that will either get you frowning or smiling
depending on how
open-minded you are to the boys having a little fun with the country
classic.
I haven't heard the album that Trent put out in 2000 (or his 1994 "Hank
Flamingo" release), but understand that it brought plenty of airplay,
gig
and tour offers. Even landed him a showcase on the Grand Ole Opry.
Produced by Rand Bishop, "Horseshoes & Hand Grenades" further indulges
us with some eclectic alt-country instrumentalists and background
vocalists. Remember the Ozark Mountain Daredevils with their blend of
country rock, bluegrass, and southern boogie? Bassman/vocalist Michael "Supe"
Granda was a founding member of that group. And the 1980s Atlanta-based
Georgia Satellites with their Stones-like guitar grunge?
Guitarist/vocalist Dan Baird was a key member of that enjoyable band.
Steel guitarist Gary Morse is a regular with Brooks & Dunn. Other
experienced musicians in The New Row Mob include Dave Kennedy (drums),
Ken McMahan (guitar), and a host of others who appear to a lesser degree
on the CD. Mike Webb's piano and B-3 organ are noteworthy.
Besides those collaborations with other Nashville-based writers, a
number of the musicians on the album co-wrote many of these songs with
Summar. And you may have already heard some of the songs covered by
others like Billy Currington ("She Knows What to Do With a Saturday
Night"), Gary Allan ("Guys Like Me"), and Jack Ingram ("Love You").
That's a feather is Summar's cap for other up-and-coming singers to
acknowledge the sturdiness of Trent's material. Without being too
disparaging, I found the similarity of the beat in a few of the songs to
create a modicum of banality. But, for the most
part, the set progresses as a successful, raucous journey from beginning
to end. Reminiscent of the Bakersfield sound, the country rock-infused
groove and clever lines convey some deliriously fun messages. Some other
catchy hooks, and even some rustic bluegrass flavorings, are found in
songs like "Hayride," "Pink John Deere," and "Girl From Tennessee."
Hitting you like an express train, "Louisiana Nashville Line" is full of
steam. In "Guys Like Me," Trent sings "It's hard to find a place to play
my guitar, they're trying to put an end to guys like me" and "I'd like
to find a place where love surrounds me ... where you can land your
dreams on solid ground." I'd say this album will fetch him plenty of
fame and gigs. Trent's well on his way to landing his golden dreams on
solid ground.
Joe Ross -
rossjoe@hotmail.com |
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| The
Doo-Wah Riders |
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CD: Live |
| Label: Self |
Rating:     |
Reviewed by Herb Barbee - RMR Staff Reviewer
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The Doo-Wah Riders’ CD
“Live!” is a recording of their concert at the Wildhorse Saloon in
Nashville. You immediately get the sense that these consummate showmen
really know how to wow their audiences. They involve the audience in the
fun and listening to this CD puts you at the concert. It is like you are
actually there.
The CD is full of great dancing
tunes. If you are not in a dancing frame of mind, you will be shortly
after you push “play.” The opening medley gets you in the mood in a
hurry.
The Rich vocals and superb
harmonies you have come to expect from the Riders are there to the max,
further engaging the listener. And throughout this work, there is
extraordinary musicianship with some frenzied, high-octane fiddle and
steel guitar.
There are a couple of original
tracks on the CD that reveal this groups ample creativity. That
creativity also spills over into their remakes of some of the old
favorites. You will love their version of Van Morrison’s “Brown Eyed
Girl” and you will quickly recognize the lyrics of “Neon Moondance” but
the melody is uniquely Doo-Wah Riders, with a nice rhythmic beat.
The CD is cropped off with an
awesome rendition of “Orange Blossom Special” complete with Middle
Eastern and Spanish sounding segments (more of that creative flair).
Listening to this CD will make you sorry you missed the original
concert. The good news is you can always press “replay”.
Herb Barbee - RMR Staff Reviewer |
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| Aron
Dees |
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| Tim
Harwill |
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| Mike
Clifford Band |
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| Steve
Tenpenny Band |
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| Radney
Foster |
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CD: This World We Live In |
| Label: Dualtone |
Rating:      |
Reviewed by: Rick Galusha - RMR Staff
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While "modern country" rules the roost in Nashville, it's writers
like Radney Foster that anchor the genre from complete hokum. In any
genre, at any time, there are exceedingly few artist that have released
a body of work that consistently hits the high watermarks as Foster's
career has. As a new recording artist, Radney Foster's first significant
project, Foster & Lloyd, released three albums and received critical
acclaim but got little attention at the cash register. In the early
90's, when country radio nose dived into mass pop culture, Foster, along
with many of Country Music's greats, were left out in the cold. Foster's
opportunity for national attention has been hampered by a lack of major
label marketing dollars; however, his unique ability to write a truly
great Americana song has never waivered. Along with Lyle Lovett, John
Hiatt, and Dave Alvin, Radney Foster has penned some of the finest
songwriting this genre has to offer. (If you've ever rolled down the car
window to sing along with The Eagles you already know that Americana is
a catch-all category for music that's too rock for country and too
country for rock.) Foster's latest album, This World We Live In, is a
delightful ten track trip down Nashville's back alleys and courtyards.
According to his label's promotional material, "Instead of hiring
the same Nashville studio musicians, they called in some friends: Waddy
Wachtel and Charley Drayton (members of Keith Richard’s side project,
the X-pensive Winos) along with Wallflowers’ keyboardist Rami Jaffe and
legendary bassist Bob Glaub (Jackson Browne, C.S&Y, Warren Zevon) 'Those
guys come by the roots-rock feel pretty honest,' laughs Foster. 'I knew
they were great musicians, and I figured if I knew the songs well enough
upfront, they could just fall in. I wanted to keep it simple. By going
to Los Angeles to record, time and money were naturally limited-but it
was a good limitation. Sometimes I think we do too much just because we
can. Instead, we went in and cut the tracks in two days.' "
What Foster accomplished in two days is remarkable. This World We
Live In is a well rounded collection of ten songs that represent as
complete an album as is being released today: there is no filler as each
track unfolds its own story line. The entry point to the album is the
powerful ballad, 'Fools That Dream' which features the impeccable
harmony vocals of Kim Richey. Together they sing, "The only ones that
make love last forever are fools that dream." The next song, 'Never
Gonna Fly' has a Springsteen like quality; effervescent with hope. "A
young man full of pride don't need much hope, Thinks he's got it made
even when he don't, Thinks all he's got to do is order up a beer or two,
And make work what everybody tells him won't,...You're either in or your
out, It's better to burn than it is too fade, You want to feel the wind,
You've got to take a ride, You better dream big, If you want to touch
the sky, You can't be scared to risk it all, You're never gonna fly, If
you're afraid to fall.'
Foster's, 'Half of My Mistakes' is as funny as it is touching.
'Half of my mistakes I made stone sober, Half of my mistakes I made at
closing time' or the line where Foster makes the obvious statement that
any listeners can relate to, 'Half of my mistakes I'd give anything to
change how it ended, Half of my mistakes, God, I wouldn't change a
thing.' Foster's ability to uplift the listeners while sharing the pain
of the common human experience is a rare art. Throughout this album
Radney Foster proves, once again, that he is as significant an artist as
any: that he has perfected his art form.
-Reviewed by: Rick Galusha
To send your CD to Rick to be reviewed for Roots Music Report mail to:
12005 North 34th Avenue
Omaha, NE 68112 |
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| Shawn
Camp |
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CD: Fireball |
| Label: Skeeterbit Records |
Rating:      |
Reviewed by: Joe Ross, Roseburg, OR.
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Shawn Camp has exceptional talent as musician, singer and
songwriter. He’s been chasing after widespread mainstream success for
quite some time, although he has been able to build a legion of
dedicated fans in both the country and bluegrass communities. His songs
have been covered by many luminaries from both genres -- Ralph Stanley,
Del McCoury, Ricky Skaggs, Garth Brooks, Brooks & Dunn. Camp’s solo
debut on the Reprise label occurred in 1993, but creative differences
brought work on his second album to an abrupt halt. So he focused on
songwriting and penned hits for Garth Brooks in 1997 (“Two Pina
Coladas”) and Brooks & Dunn in 1998 (“How Long Gone”). He’s also
co-penned numbers with Guy Clark, as well as with Jim Lauderdale (like
“Forever Ain’t No Trouble Now” that was on the 2002 Grammy award-winning
Jim Lauderdale-Ralph Stanley album, “Lost In The Lonesome Pines.”) Shawn
Camp’s own 2001 “Lucky Silver Dollar” album (on his own Skeeterbit
Records) was a strong project but suffered from lack of exposure. Then,
some bluegrass shows were recorded and released as “Live At The Station
Inn,” in 2002 on John Prine’s Oh Boy Records.
On “Fireball,” Camp’s songs were written with some of his best
friends – Mark D. Sanders, John Scott Sherrill, Billy Burnette, Phillip
White, Pat McLaughlin, Earl Bud Lee, Paul Kennerly. Camp, the first
class multi-instrumentalist, has a preference for guitars, but he also
offers up some tasty fiddle and mandolin. On the album closer, “Drank,”
Camp is credited from guitars, bass, fiddle, dobro, horn sounds and
whistlin’. Camp’s broad musical interests have him equally comfortable
singing a tender ballad (“Love Ain’t Leavin’”) as he is pickin’ the
bluegrassy “Would You Go With Me” or rockin’ “Fireball.” It’s an
impressive statement that Camp can do it all, and there are some real
keepers from the song collection on this high voltage CD. The
indefatigable Shawn Camp’s musical demeanor is one full of wry-witted
attitude. “Fireball” shows that he continues to grow, to create, and to
entertain. - Joe Ross, Roseburg, OR. |
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| 77
El Deora |
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| Gary
Bennett |
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| George
Strait |
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| Tim
Murphy |
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CD: Ain't No Shame |
| Label: Big 7
Records |
Rating:      |
Reviewed by: Lynn Thomas - KMCO
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Big 7 Records has proudly released the debut single, "Wild Wild
West" from the new and upcoming CD, 'Ain't No Shame' by the Grammy voted
rockin' country boy, Tim Murphy.
Each element in the production of this disc, such as the fiddle,
the slide guitar and the honky-tonk piano has been played to perfection.
And for those of you out there who are familiar with this man's
voice, well, get ready to hold on to your hat! Tim's pipes are stronger
than ever!
This single is so awesome it could never be confused with any
other. It truly has a lasso affect that clearly calls to you, drawing
you to the dance floor with it's solid rhythm and pounding beat. Your
body picks up on the lyrical content right off the top! “Feels like a
Friday night about nine o'clock and things are getting ready to roll!”
By the end of the first verse, you are already singing as you start to
move as one with the music.
Folks have always said how the "Wild Wild West" was won with the
Winchester or maybe it was the Colt 45 but, Tim Murphy's wild west
musical extravaganza is a total winner. If this song doesn't make you
want to find a dance floor and shake off the week's dust, then you've
got the wrong kind of boots on!
The “Wild Wild West” hitting radio in October 2005, is the first of
a string of hits that Big 7 Records plan to release off this new album,
“Ain't No Shame” by Tim Murphy. Slated for release in spring of 2006, 'Ain't
No Shame' is a compilation of eleven of Tim's finest works yet! And get
ready for a hoe-down, show-down!
As for myself, I give this butt kickin' single "Wild Wild West" and
Tim Murphy…A Big 5 Luscious Stars*****
CD Review by Lyn Thomas M.D.
KMCO Radio 101.3 FM
For Roots Music Report |
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Todd Fritsch |
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| Bobby
Flores |
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| Brad
Paisley |
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| Gene
Watson |
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| Dierks
Bentley |
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| Amber
Digby |
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| The
Cornell Hurd Band |
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