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Will Clear Channel Sell More Stations?
June 29, 2009
 

After suffering a $428 million first-quarter loss and carrying the load of about $22 billion in total debts, Clear Channel may have to explore the option of selling more of its radio stations. A new article from the San Antonio Express-News says that analysts believe Clear Channel will have trouble making scheduled payments to its lenders later this year. The company, down to about 800 stations from its peak of about 1,200, either will have to start selling radio properties or go into bankruptcy, where lenders will put stations up for sale. With slumping advertising revenues and little prospect for refinancing its debt, there may be no other option for the broadcaster.

"It's a perfect storm," author and radio industry forecaster Alec Foege told the Express-News. "The financial moves by Clear Channel were aimed at enriching the executive team at the expense of the shareholders. There's still financial acumen at the company, but it doesn't extend to solving its financial problems in terms of marketing its core product."

Earlier this month, Clear Channel announced that it wanted to reposition debt between its radio and billboard divisions. However, the lenders who financed the private equity acquisition of the company said they would block the move because they would rather wait on it in hopes that Clear Channel violates its lending agreements. That way the lenders can take control of its assets at a discount and then sell them. The lenders reportedly feel that this is the way to get the most amount of money back from the loans they made when Bain Capital and Thomas H. Lee Partners acquired Clear Channel in 2008. But as of right now, Clear Channel is not violating any agreements and the negotiations are continuing.

Foege believes several radio companies would be happy to get in on a bidding war for Clear Channel radio stations, such as CBS Radio, Citadel Broadcasting or Emmis Communications.

"Radio is not headed for extinction. Advertising will return at some point," Foege told the Express-News. "Radio offers value, even compared to the Internet. The Internet doesn't yet serve local markets as well as radio... Free commercial radio is still compelling. It's hard to argue with free. There are still listeners, and advertisers realize this."

One of the greatest performers of all time Michael Jackson will truly be missed by the public and the entire music industry around the world.

His music was for all fans of music and will be enjoyed by future generations to come.

Signals for radio's future are anything but clear


"Slacker and Steve" ply their trade on FM radio's "Alice." KALC-FM, 105.9, owned by Entercom, is one of Denver's big four radio stations. (Andy Cross, The Denver Post)

Ever since radio eclipsed sheet music some 80 years ago, the airwaves have been the go-to place to find new songs and fresh news.

Along the way, broadcast radio stations made money. Advertising revenues grew reliably nearly every year.

But these days, radio faces an army of competitors — all at once. Satellite radio, MySpace pages, iTunes. And people can talk on the phone while they drive, all instead of scanning the radio.

People are still tuning in — Denver's stations together pull a whopping 2.1 million listeners each week — but they are listening for shorter periods of time. And radio is making a lot less money.

Broadcasters remain confident, however, blaming their woes on the troubled economy.

"I've been doing this for 50 years and I've never seen anything like this," said Clear Channel of Colorado chief Lee Larsen.

They are quick to point out that, like newspapers and local TV stations, they still draw mass audiences. But they acknowledge that radio has joined other media under assault by new technology.

At radio stations near and far, layoffs and low morale have become common. Citing "an unprecedented time of distress," the gargantuan Clear Channel radio chain this year cut 9 percent of its staff, or some 1,850 workers nationally; roughly 20 locally. Among the disappeared: local favorites like Pete MacKay and Steve Millin dismissed from The Mountain; and Steve Cassidy, out at KOSI after 20-plus years in the market.

Off the cliff's edge

Just four years ago, radio was a $21 billion industry nationally. Not now. In the first quarter of 2009, radio revenues fell 24 percent to $3.4 billion, industry watcher MediaPost reports. Media analyst Jack Myers estimates ad spending will plummet another 19 percent this year, and another 4 percent in 2010.

Wages are frozen companywide at Entercom, one of the five biggest radio companies in the country and one of the big four in Denver.

Denver radio fans still mourn the loss of treasured independent station KCUV, gone last year, along with four on-air personalities: G. Brown, Zak Phillips, Benji McPhail and Mike Wolf.

The latest station sale sent shockwaves through the industry: Wilks Broadcasting this year paid $19.5 million for three Denver FM properties formerly owned by CBS. Previously, the stations would have sold for several times that.

Those high-profile drops overshadow the industry's strength as a whole. Radio remains very much a part of the media landscape. America Media Services reports that 64 percent of American adults listen to the radio once a day; 80 percent say they listen while driving.

"Radio is not suffering on the ratings side; we're suffering on the economic side," said Clear Channel's Larsen, who oversees eight local stations.

In the most recent ratings, Arbitron reported that 325,400 people in the Denver area spent some time each week listening to talk powerhouse KOA. That's second only to teen-friendly KQKS, which scored an average 366,700 listeners a week.

Radio remains a touchstone for baby boomers who count on music sage Bret Saunders' wit on KBCO during the morning drive, young women who roll to Slacker and Steve's afternoon show on "Alice,"and the country fans who start the day with Mudflap, Kelly Ford and Ed Greene on KYGO. Fledgling Colorado rock bands count on KTCL (93.3 FM) to give their music exposure.

Uncharted territory

Local executives believe radio is suffering because its biggest advertisers, automotive and retail, have been hit hardest in the recession.

Analysts aren't as optimistic. "There is reason to believe these media are entering new, uncharted territory characterized by long-term declines that will continue even after the broader recession is over," speculates media watcher Eric Sass in MediaPost.

Part of the problem: radio is no longer the center of the audio conversation. It's moved to downloads and the latest mobile device. Distracted, radio listeners have begun tuning in for shorter stretches.

Per week, "the average amount of time spent listening to the radio is down significantly, dropping 5 percent from 19 hours and 32 minutes in 2007 to 18 hours and 30 minutes in 2008," according to MediaPost, which tied the decline to the growing popularity of MP3 players and iPods, "as well as non-radio audio delivered via the Internet."

Analysts do predict the industry will hit bottom in 2010. But some doubt things will improve dramatically.

Another worrisome trend for radio's future: more than 70 percent of teens have an iPod or iPhone, according to the latest study by New Jersey-based Edison Research.

Even as it reflects the national economy and awaits a rebound, radio is at a crossroads. Is it your grandfather's medium? Or is radio building toward a future that moves beyond over-the-air broadcast?

Analyst Sean Ross at Edison Research says "everyone will tell you radio will be fine, and everyone will tell you radio will not be just on the AM-FM receiver" in the future.

Just as newspapers will continue to be available online rather than primarily in print, radio will move increasingly to the Web, with a tiny minority of listeners still dependent on over-the-air transmissions.

Defenders say radio's immediacy and localism will save it. No matter how they receive it, listeners still need Front Range news and weather.

"We dropped Rick Dees (a syndicated talker out of L.A.) not because he's bad but because the future of radio is local," according to Jeff Wilks, whose company acquired three Denver FM stations from CBS Radio this year.

Ads are still a bargain

Broadcasters see other good omens. For now, their best argument is that radio advertising remains a bargain — about one-third the cost of TV. At the premium end, the difference is even greater: A spot within KUSA-Channel 9's No. 1 late newscast costs four times as much as a drive-time spot on No. 1 KOA.

"Frankly, everybody's hurting. We've been able to negotiate better rates across all different types of media," said Tracy Broderick, director of audience planning at Denver's Karsh\Hagan. She adds, "You get what you pay for."

The industry mantra is that the audience is there to be developed. Arbitron claims that 235 million Americans, or 91 percent of people over 12, listen to radio each week. Even 89 percent of teens listen to radio, whether it's traditional AM-FM, online, satellite or podcast.

For the first time in a decade, Edison Research says, new Top 40 stations are showing the potential to win teens back. KONN ("Hot 107.1 FM") and KQKS ("KS 107.5") are Denver examples of the CHR, or "contemporary hits radio" formats, endlessly playing Beyonce or the Black Eyed Peas and drawing teens.

"Radio is resilient. You can't kill it," said Steve Cassidy, who is between jobs. "Talk about the original social networking — we were always the social network."

New media don't make old media obsolete, but every new device takes attention away from the old ones.

To wit: Sheet music hasn't gone away; it's migrated to the Web, where downloads sell briskly. A site called Musicnotes.com has sold more than 5 million sheet-music downloads since its start in 2000 — at $5 a pop.

Joanne Ostrow: 303-954-1830 or jostrow@denverpost.com

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Sad day for music industry.

Roots Music Association is disappointed with the closing of R&R.
After 36 Years - A World Without R&R
Radio And Records Ceases Operations Immediately

Many in the Radio and Music Industry cannot remember a time when there was no Radio & Records Magazine. After this week's edition, there will be no R&R.

Billboard and R&R Publisher Howard Applebaum made that staggering announcement at noon L.A. time today (6/3), telling staff that "challenges in the macro media climate" forces R&R to "cease operations".

R&R's Website writes, "The current state of affairs has left The Nielsen Company with no other alternative but to immediately cease all services, products and events related to Radio & Records. The magazine's final edition is the June 5th issue. Electronic products end today, the Web site will be taken offline soon."

Editorial Director/Associate Publisher Cyndee Maxwell says, "Everyone on this team has worked extremely hard to fulfill the vision of Radio & Records, and everyone can hold their heads high on this very sad day.

"We had a highly talented group of people that always worked hard and gave it their best -- especially in the recent past. I deeply regret that this day has come.

"The good news for some other companies out there is that we have many fantastic people who are now available to put their excellent talents, abilities and skills to work for someone else."

It is expected that over 40-people no longer have jobs.
 
This story was reported by
www.allaboutcountry.com  All About Country.

 

Civil Rights Groups Ask Pelosi To Look Into Performance Rights Act

WASHINGTON -- May 15, 2009: Spanish Broadcasters Association Director Francisco Montero, Minority Media and Telecommunications Council Exec. Director David Honig, and Lawyers' Committee for Civil Rights Under Law Exec. Director Barbara Arnwine have written a joint letter to House Speaker Nancy Pelosi asking her to "ensure that additional thoughtful analysis and deliberation is permitted" before the Performance Rights Act is voted on by the full House.

The bill, which is sponsored by House Judiciary Committee Chairman John Conyers (D-MI), was approved by the committee earlier this week, over the objections of civil rights groups that wanted a hearing on the potential effects of the bill., which imposes performance royalties on broadcast radio, on minority-owned radio stations.

The letter says the law "would disproportionately harm present and future minority radio broadcasters and their listening communities" and could "have an equally devastating effect on the civil rights advances we as a nation have made and will be able to make in the future."

The signers say that Conyers disregarded their due process requests as the committee passed the "harmful legislation," and ask Pelosi to "ensure that these issues and all policy implications are fully vetted before this legislation is scheduled for consideration on the House floor."

The letter says HR 848 "would lead to severe reductions in sustaining and public service programming" and could bankrupt as many as one-third of all minority-owned radio stations, adding that the Judiciary Committee's "apparent attempt to rush this bill through the committee process and onto the floor ignore the fact that this bill imposes significant changes on radio broadcasters without any consideration for the corresponding policy changes in other committees." For example, says the letter, there has been no examination by the Commerce Committee of whether radio should be compensated for the value of airplay and promotion or examination by the FCC of stations' continued ability to serve the public interest, nor has the Ways and Means Committee looked at reinstituting the minority tax certificate.

Montero, Honig, and Arnwine write, "HR 848 is not ripe for floor consideration. We sincerely hope you will ensure that additional thoughtful analysis and deliberation is permitted before it is scheduled for floor consideration."
Article posted by Radio Ink Magazine. www.radioink.com

Clear Channels WTCR radio to change format from
Americana to another format.

Effective 04/06/09 WTCR-AM will be switching formats.

roots music reports hotrod


KRVL Radio Changes Format.
KRVL radio in Kerville Texas changes  from Texas/Americana

 to Classic Rock music format.

 

THE TOP 10 STATES THAT PRODUCE & SUPPORT INDEPENDENT MUSIC

 
#1 TEXAS
#2 CALIFORNIA
#3 TENNESSEE
#4 NEW YORK
#5 ILLINOIS
#6 MICHIGAN
#7 MISSISSIPPI
#8 LOUISIANA
#9 NORTH CAROLINA
#10 PENNSYLVANIA
 Results were generated from a 5 year music tracking process tabulated by Roots Music Report.
Compiled 02/15/09
To view the tabulation process
Click Here..